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Essential Highlights at the Muenster Unserer Lieben Frau in Konstanz, Germany

Muenster Unserer Lieben Frau | Cathedral of Our Dear Lady, Konstanz, Germany

We wandered only a short distance through the old part of town before spotting the highest tower of the Cathedral, then used it as our compass. In Konstanz, Germany, we sought out the Muenster Unserer Lieben Frau, Cathedral of Our Dear Lady. We opened one of the side nave doors, and found ourselves surrounded by tracery windows, and stained glass windows with the afternoon sun shining through them. Stained Glass Windows at Muenster Unserer Lieben Frau | Cathedral of Our Dear Lady, Konstanz, Germany

It took a moment for my eyes to adjust, and I took a deep breath. The interior of the cathedral is brighter than I expected, and with almost all church/castle/cathedral/palace.. your eyes tend to wander up. The original Romanesque painted wood ceilings are long gone, but the whitewashed, plastered ribbed vault ceiling is pretty, and does make the Cathedral bright and spacious.

White washed, plaster, arch ribbed ceiling at Muenster Unserer Lieben Frau | Cathedral of Our Dear Lady, Konstanz, Germany

Baroque-Style Ceiling at Muenster Unserer Lieben Frau | Cathedral of Our Dear Lady, Konstanz, Germany

Don't Miss This-
Allow a healthy hour to explore the whole cathedral. There are truly details everywhere, even the crypt. Don't let the word 'crypt' scare you. It felt more like a basement or a cellar, and while it did have low-sloped ceilings, its not cramped. If you venture down, you'll discover three copperplates, one large plate depicting Christ which dates back to the 10th century, and two smaller copper plates from the 13th century. The faceless figure in one of the smaller copper plates depicts the patron saint of Konstanz, Saint Pelagius, whose relics were held for a time in the tomb that is opposite the copperplates.

Copperplates from 10-13th Century and Saint Pelagius Tomb in the Crypt of Muenster Unserer Lieben Frau | Cathedral of Our Dear Lady, Konstanz, Germany

Its hard to beat stained glass windows in wow-factor, but look for the wooden spiral staircase that leads to the pulpit. If you have time, try and plan for hearing the Cathedral bells ring, which are fondly considered by some as one of the most harmonious in Germany.

Wooden spiral staircase pulpit in Muenster Unserer Lieben Frau | Cathedral of Our Dear Lady, Konstanz, Germany

BONUS Konstanz Cathedral Architectural History, in English

Muenster Unserer Lieben Frau | Cathedral of Our Dear Lady, Konstanz, Germany Architectural History, as Displayed in the Church

It would be a disservice to try and summarize the English synopsis of the cathedral's history that was on display in the entryway. I've looked online and I can't see it posted anywhere, so I've retyped it from a photo I took. The Wikipedia page for Muenster Unserer Lieben Frau in English is an 1/8th of the size of the page in German, so here's to bridging the language barrier in regards to this stunning building.The official website for the cathedral is completely in German as well.

"Cathedral of Our Dear Lady in Constance is a cruciform, three-nave column basilica with a square east end. The former episcopal church (circa 600-1821) is considered the most significant Romanesque church building in South-West Germany. The patron saints of the present minor basilica (designated in 1955) are the Virgin Mary, St. Conrad of Constance (10th century) and St. Pelagius (3rd century). The cathedral dates back to the early days of the bishop's see and was mentioned for the first time in official documents in 780. For over twelve centuries, it served as the bishops' cathedral and was used as a meeting place during the Council of Constance (1414-1418). Since the dissolution of the bishopric in 1821, the cathedral has been used as a Catholic parish church.

The main section of the three-nave Romanesque basilica (consecrated in 1089) is supported on eight monolithic columns with bell-shaped capitals made of sandstone from Rorschach. It is spanned by a plastered ribbed vault (1679/80) made of brick that- as in the aisles- replaced a flat painted wooden ceiling. Demand during Baroque times for light-flooded rooms was met by enlarging the clerestory windows and the whitewashing the church interior.

Transept and chancel
The main chancel with a square end and classic high altar (1774) join the almost square crossing to the east. To the north and south are the St. Thomas choir and Maria-End choir with monumental Baroque side altars. The interiors moulded in the French Classicism style from the period around 1775, created by the famous French castle and church builder Jean Michel d'Ixnard, still determines the appearance of the cathedral today. The rear wall has been windowless since the three large gothic east windows were closed off in 1923. In front of the middle window hangs a significant oil painting of the "Assumption of Mary" (1701) by Franz Carl Stauder, flanked by the statues of the church's patron saints Conrad and Pelagius (1923).

Side naves/Side chapels
After the Council of Constance, the Romanesque interior was converted to a late Gothic style with ribbed vaults and tracery windows (1423-53), a measure that still characterizes the appearance of the interior today. From the 1470s onwards the side chapels were successively expanded starting with the south chapels in the east and finishing with the last chapel in the east of the north side built in 1623. The chapels are largely furnished today with the altars from the 17th and 19th century and stained glass windows (1880-1906).

The mighty sandstone facade is divided into a northern, a middle, and a southern tower. The northern and southern towers (13th and 14th centuries) are divided visually by circumferential cornices. The foundation stone for the middle tower joining the two was laid in 1497; the vestibule is topped by an embellished four-part stellar vault (1518). The tower was completed in 1853 by placing on it an octagon with a tracery spire.

The cathedral has 19 bells weighing some 35,000 kg in total. Together, they form the second-largest group of bells after Cologne Cathedral and even the largest in terms of numbers. Of the seen historic bells, St. Ursula's bell (1584) made by the H.C. Löffler from Innsbruck had one of the most beautiful chimes in the 16th century. Its foundry pit was uncovered during excavations in 1990 in the area south of the church. In 1966, the historic bells were supplemented by 12 new ones, a gift from the state of Baden-Württenberg to the minor basilica. The bells as a whole are considered among the most beautiful in Germany on account of their harmonious sound."

Exterior of Muenster Unserer Lieben Frau | Cathedral of Our Dear Lady, Konstanz, Germany

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